My Smile Is A Rifle, And I'm Pointing It At YOU
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Reblogged from btw-itriedtosay  522 notes
btw-itriedtosay:

”” When I was growing up I had a guitar teacher who told me that because I couldn’t play scales picking every note fast, I wasn’t a good guitarist. I think that attitude is wrong. For one thing, I don’t think picking every note sounds very good. I know from chopping up samples that the beginning of a guitar note is the sound of the pick, and it lasts a pretty long time. If you pick every note and play very fast, you hear what people like Yngwie sound like. I love Yngwie’s playing, but it’s not the greatest sound to be picking every note, because you hear more of the pick attack than the sound of the note. Allan Holdsworth doesn’t pick every note, and I consider it a more expressive way to play fast. There’s more tonal variety. There’s more room for expression. In the ’80s, guitarists thought that because somebody played cleanly, or could pick every note fast, or do a lot of fancy tricks, that made them a good guitar player. Guitar playing got lost on that road to a certain degree. It’s not as if being studious and practicing are not advantageous for a guitar player—they are! But the goals are to see the instrument clearly in your mind, produce beautiful music, and express something.”
- John Frusciante in an interview about Enclosure.

btw-itriedtosay:

”” When I was growing up I had a guitar teacher who told me that because I couldn’t play scales picking every note fast, I wasn’t a good guitarist. I think that attitude is wrong. For one thing, I don’t think picking every note sounds very good. I know from chopping up samples that the beginning of a guitar note is the sound of the pick, and it lasts a pretty long time. If you pick every note and play very fast, you hear what people like Yngwie sound like. I love Yngwie’s playing, but it’s not the greatest sound to be picking every note, because you hear more of the pick attack than the sound of the note. Allan Holdsworth doesn’t pick every note, and I consider it a more expressive way to play fast. There’s more tonal variety. There’s more room for expression. In the ’80s, guitarists thought that because somebody played cleanly, or could pick every note fast, or do a lot of fancy tricks, that made them a good guitar player. Guitar playing got lost on that road to a certain degree. It’s not as if being studious and practicing are not advantageous for a guitar player—they are! But the goals are to see the instrument clearly in your mind, produce beautiful music, and express something.”

- John Frusciante in an interview about Enclosure.

Reblogged from xygni  31 notes

Music is not something that you are in control of. It comes from somewhere else. If you’re that middleman between the cosmos and the real world on Earth that the music comes through, you are very lucky. When you record music, it’s not your job to try to control anything. It’s more about being in the right place and flowing with the energies that are in the air around you and with the people that you are making the music with. The second that someone thinks music comes from themselves, and that they are the ones responsible for it, is when they go off track. The most important thing you could realize is that you are the least important part of the whole process. Music is going to be made whether any one artist is here or not. If John Lennon or Jimi Hendrix had disappeared, music still would have gone on, changed, grown, and been the beautiful thing that it is. You take away the music, all you have are the individuals, and they don’t mean anything. The individual is nothing, it’s the music that’s in the air all the time that’s important, and you have to be humble in the face of that. By John Frusciante (via xygni)